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Rene d'Harnoncourt, then Director of MoMA, is pictured at the International Program's first major exhibition abroad. A Jackson Pollock painting is displayed left and behind d'Harnoncourt while an Alexander Calder mobile hangs over him.

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The United States Pavilion was purchased with private funds through efforts coordinated by MoMA's International Council. American representation at the 1954 Venice Biennale was organized completely by private efforts, making the United States theā€¦
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